Silver / Lead

Silver / Lead to piętnasty album stydyjny Wire, pioenirów muzycznego post-punka.

Nagrany niemal w 40-stą rocznicę od swojego debiutanckiego występu.

Silver/Lead is the 15th studio album from musical pioneers Wire. It arrives on the 40th anniversary of their debut performance. Yet it’s about as far from nostalgia as you could get. This is the sound of a uniquely addictive 21st century psychedelic post-punk.

Colin Newman and Matt Simms’ guitar work is alternately jagged and luminous, while bassist Graham Lewis’s ear-catching lyrics are vivid yet oblique. Meanwhile, drummer Robert Grey provides a virtual masterclass in percussive minimalism. But it’s how the various instruments mesh together that really counts. And Newman’s production cre-ates a sonic space in which even the smallest gesture is accorded some recognition.

Highlights include the optimistic dazzle of ‘Diamonds In Cups’, with its almost T. Rex-style buzz and chug, and the moody swing of ‘This Time’. Elsewhere on the musical spectrum, there’s the menacing widescreen grandeur of ‘Playing Harp for the Fishes’ and breakneck-paced guitar pop of ‘Short Ele-vated Period’.

Wire are one of the world’s most ground-breaking bands, their influence acknowledged by bands as diverse as Blur, Sonic Youth, R.E.M. and Savages. But they have never been interested in exploiting past glories. For Wire, there is only ever one possible direction: forwards. So it’s perhaps not surpris-ing that over recent years, they’ve played strings of sold-out shows, achieved career-best record sales, and been cited as a strong influence by yet another generation of bands.

Wire’s last three albums garnered nothing but rave reviews.

From 2013’s strangely beautiful Change Becomes Us (“It’s fantastic.” – Pitchfork) to the crackling motorik of 2015’s Wire (“It’s all really well turned, potent and crisp.” – The Guardian), and last year’s punchy mini-album Nocturnal Koreans (“It's a cracker and sounds defiantly modern.” – The Quietus).

Consequently, although it may be being released on the band’s 40th anniversary, Silver/Lead is an album which has nothing to do with the past and everything to do with the future.

Copyright (c) – Pinkflag

Published By – Pinkflag – 77 2017

Published By – Mute Song – 77 2017

Recorded At – Rockfield Studios

Produced At – Swim Studio

Mixed At – Swim Studio

Recorded At – Swim Studio

Mastered At – Skye Mastering

Acoustic Guitar – Colin Newman (tracks: 5, 6, 8, 10)

Artwork [Art Direction] – Jon Wozencroft

Artwork [Cover Image] – Graham Lewis

Autoharp – Matthew Simms (tracks: 8)

Backing Vocals – Graham Lewis (tracks: 2, 3, 8)

Bass Guitar – Graham Lewis

Drums [Drum Kit] – Robert Grey

Effects [FX] – Colin Newman (tracks: 10), Matthew Simms (tracks: 4, 6)

Electric Guitar – Matthew Simms (tracks: 1 to 7, 9, 10)

Electric Guitar, Keyboards – Colin Newman

Keyboards [Hammond SK-1] – Graham Lewis (tracks: 8)

Lap Steel Guitar – Matthew Simms (tracks: 8)

Lead Vocals – Colin Newman (tracks: 2, 3, 5, 6, 8 to 10), Graham Lewis (tracks: 1, 4, 7)

Loops, Sampler [Samples] – Graham Lewis (tracks: 1, 4, 8)

Mandola – Colin Newman (tracks: 8), Matthew Simms (tracks: 2)

Mastered By – Denis Blackham

Performer [Wire Are] – Colin Newman, Graham Lewis, Matthew Simms, Robert Grey

Producer [Production], Mixed By [Mix], Recorded By [Additional Recording] – Colin Newman

Recorded By [Engineer] – Jeroen Melchers, Tim Lewis (2)

Software Instrument [M-Tron Baritone] – Colin Newman (tracks: 7)

Synth [Modular Synth] – Matthew Simms (tracks: 5, 7)

Synthesizer [Korg MS-10] – Matthew Simms (tracks: 1, 3, 6)

Twelve-String Guitar – Colin Newman (tracks: 3)

Written-By [Music] – Wire

Written-By [Song] – Colin Newman (tracks: 1 to 3, 5, 6, 8 to 10), Graham Lewis (tracks: 1, 4, 7), Wire (tracks: 1, 4, 7)

Written-By [Text] – Graham Lewis