Slowly Paradise

Slowly Paradise to nowa solowa płyta Eric Chenaux – urocza kolekcja piosenek prowadzona przez kojący, maślany.

Jest to zapewne najbardziej udana praca solowa Chenaux, poszerzająca uznanie, jakie słusznie uzyskały jego poprzednie albumy Guitar & Voice i Skullsplitter.

Compact disc comes in a custom 24pt paperboard mini-gatefold jacket printed on 100% recycled Orford cardstock with an inner dust sleeve housing the disc. Art and design by Mariette Cousty.

Artwork, Design – Mariette Cousty

Electric Piano [Wurlitzer 200A] – Ryan Driver

Lyrics By – Eric Chenaux, Ryan Driver

Mastered By – Harris Newman

Mixed By, Recorded By – Cyril Harrison

Producer – Cyril Harrison, Eric Chenaux

Recorded By [Additional] – Eric Chenaux, Sandro Perri

Vocals, Electric Guitar, Drum, Electronics – Eric Chenaux

Eric Chenaux makes conceptual music that’s not meant to sound conceptual. He operates among various 'traditions' but perhaps most broadly, Chenaux's records grapple with the relationship between improvisation and structure in very particular, unique, idiosyncratic ways – and quite without irony or cynicism, through love.

Because fundamentally, Chenaux writes love songs, which he sings in a voice honeyed and clear, while his guitar gently bends, frazzes, chortles, diverges and decomposes. This juxtaposition of his mellow, dexterous crooning and his highly experimental (and equally dexterous) guitar explorations, explodes even unconventional notions of singing and accompaniment, of tonal and timbral interplay between guitar and voice.

As a solo artist, Chenaux's improvisation methods are in certain literal ways solipsistic: as a singer-songwriter, he plays his guitar around and against his voice, challenging easy notions of harmony/harmoniousness, improvising 'with himself' in pursuit of surprising himself (and his listeners) as he unfurls ribbons of voice and instrument often to the point of seeming independence, all the better to capture­­ – and be captured by – unforeseen, intimate moments of interdependence: a definition of freedom, as a profoundly intentional state of openness, presence and play.

Even within avant-garde currents of folk and jazz balladry, Eric Chenaux feels like an outlier. Yet his music remains wonderfully warm, generous and fundamentally accessible in spite of its irrefutable iconoclasm. While the constitutive elements of Chenaux’s solo work in recent years might suggest some underlying devotion to asceticism, the opposite is much more true: his musical reveries resist, critique and counteract austerity (in all its forms) in a joyful abandonment to the improvised space where playfulness and light-heartedness are taken seriously, and where love is invoked and expressed, without reductive or facile sentimentalism, in a full, nuanced, clear-eyed suspension/rejection of the cynical life.

Slowly Paradise is Eric Chenaux’s new solo record – a lovely collection of mostly long songs guided by soothing, buttery singing and bent, fried fretwork. It is arguably Chenaux’s most assured and essential solo work, expanding upon the critical acclaim his previous releases Guitar & Voice and Skullsplitter have rightly garnered.